weloveshortvideos:

YEET la YEET - Vine by stanthebeatsmith


(Source: avatarwinchester)


vinebox:

Whose that pokemon?



talesofthewormstache:

ttimeturner:

i cried about the eggs

we all cried about the eggs

(Source: taylor-swift)


liquorsexandtattoos:

Think about how fast he snitched tho

(Source: vinegod)


weloveshortvideos:

In honor of 4/20


dansrules:

disneyfab:

this literally gave me chills.

I’ve never hit the reblog button so fast in my life.

(Source: starssight)


koffrey:

Many who follow entertainment in Hollywood will have a tough time wrapping their head around you–

Deal with it. [x]

dekutrickortreet:

telapathetic:

when u haven’t masturbated in ages and

image

damn imma stop masturbating for a while so i can grow cannons on my back and launch torrents of water at people

(Source: telapathetic)


catbountry:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

Whoa.

(Source: ipissedinyourmountaindew)